Your credit report Boston

These projects have included either live performance accompaniment or pre-recorded compositionsoften a combination of both.

The following tools and virtually any recordable sound are the material I employ, including: radio broadcasts; environmental sounds; digital and analog processing; invented instruments; amplified objects; invented instruments; voice, synthesized sounds and traditional instrumentation.

In a few cases my theater sound your credit report Boston projects have bordered on sound installations. In other your credit report Boston situations my approach blurs and merges the conventional distinctions between the roles of DJ, foley sound effects artist, composer, engineer, and instrumentalist. In a few cases I have also been called upon to join the acting cast or dancers even. The tools I use most are ones that so far refuse to become obsolete: a Korg MS-20 analog synthesizer, Oberheim Echoplex Digital Pro, an AM/FM pocket radio, contact microphones, and two or three guitar effects pedals. The Springboard remains my main instrument because it enables me to make a wide variety of compelling sounds and music. The making your credit report Boston of one's own tools for sound-making-as-art seems to be the best way to equip one's self to face the challenges of finding ways to create, and to make innovative sonic art, design and music in a wide variety of your credit report Boston contexts. My theater, radio, film and video projects have been seen and heard in performances and broadcasts throughout North America and Europe, and as far as away from the US as Africa and Australia. Some notable artists and groups I have worked with include South African choreographer Robyn Orlin, the Chicago-based theater companies Plasticene, Prop Theater, and Latino Chicago Theater, NY-based vocal-performance artist Lynn Book, and Chicago e-poet Kurt Heintz, and Canadian sound-radio artist Anna Friz. free yearly credit report For a complete list, please your credit report Boston consult my curriculum vitae. Short listening examples of my work are on my composer and performer page. Compositions & Sound Design for Film, Video & Dance Reduccion, film by Stephen Mazurek, Ruffian Pictures, your credit report Boston 2007 Frozen, film by Gretchen Hasse, 2002 Urban your credit report Boston Tribe, film by Jennie Halliday, 2000 Faust, by your credit report Boston Robyn Orlin, music composed with Gert Anklam, performed at the Hebbel Theater, Berlin; Studio du CND, Paris, 2000.

Desire, film by Scott Marshall, 1997 The Polka Dot Lives On, by Robyn Orlin, performed by the Soweto Dance Theatre for the FNB Vita Dance Umbrella, Johannesburg, South Africa, 1995 In a corner the sky surrenders, by Robyn Orlin, performed at Northwestern University, Evanston, and in Australia, England, Belgium, and South Africa, 199496 The explosion of stars is not only reserved for ticketholders, dance performance by Robyn Orlin, Dance Center of Columbia College, Chicago, also in Basel, Switzerland, in Grahamstown, Durban, and Johannesburg, South Africa by the Natal Performing Arts Council (NAPAC) Dance Company, 199295 Untitled live broadcasts, solo and with Neil Jendon, Jason Soliday, Carol Genetti, Yuko Nexus6, and Michael Zerang, on Something Else, WLUW-FM Chicago, and The Expansion Experiment, WNUR-FM Evanston, 20012006 Animism with Carol Genetti for Experimental your credit report Boston Sound Studio's Outer Ear Festival broadcast on your credit report Boston WNUR, WHPK, WLUW, and WZRD, 2000 Untitled live broadcasts with Steve Barsotti, Dan Burke, Fregus Kelly, Tod Sweczyk, Bill Talsma, and Toshi Makihara on Something Else, WLUW-FM Chicago, 19962000 SoundPlay for Sabine and Urban Archeology broadcast on "Internationale Digitale Radio Kunst," curated by Sabine Breitsameter at Sender Freies Berlin, 1995 Untitled live broadcast, Wormwood, WZRD-FM, Chicago, 1994 Beyond the Pale, radio broadcast of Urban Archeology by A.A.R.T., Irish Museum of Modern Art, Dublin, 199394 (See Urban Archeology in Performances, above) Performance, Composition & Sound Design for Theater Until One Falls, directed by Dexter Bullard, created and performed by Plasticene, Center for Performing Arts, Miami University, Oxford, Ohio, 2008 One False Note, Or How To Rob a Bank, directed by Dexter Bullard, created and performed by Plasticene, music your credit report Boston creaated and performed with Dylan Posa and Jason Soliday, The Storefront Theater, Chicago, 2006 Live Feed 11.11.05, directed by Dexter Bullard, created and your credit report Boston performed by Plasticene, National Pastime Theater, 2006 The Perimeter, directed by Sharon Gpfert, created and performed by Plasticene, Viaduct Theater, Chicago, 2004 BlankSlate, directed by Dexter Bullard, created and performed by Plasticene, for the 2nd Annual PAC/edge Festival, Chicago, 2004 The Palmer Raids, directed by Dexter Bullard, created and performed by Plasticene, The National Pastime Theater and PAC/edge Festival, Chicago, and The Ohio Theater, New York 200203 Flight, directed by Dexter Bullard, created and performed by Plasticene, The Museum of Science and Industry, Chicago, 2003 And So I May Return, directed by Dexter Bullard, created and performed by Plasticene, The Viaduct, Chicago, 2002 Head Poison, directed by Dexter Bullard, created and performed by Plasticene, Storefront Theater - Gallery 37 Center for the Arts, Chicago, 2001 Come Like Shadows, directed by Dexter Bullard, created and performed by Plasticene, music with Bill Talsma, Chopin Theatre, 1999 After the Seance, written by Cheryl Tyrkv, directed by Michael Stumm, The Hideout, Chicago, 1999 4X4, by Plasticene, directed by Dexter Bullard, Rhinoceros Theater Festival, Chicago, 1999 VOL. credit report companies

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These projects have included either live performance accompaniment or pre-recorded compositionsoften a combination of both.

The following tools and virtually any recordable sound are the material I employ, including: radio broadcasts; environmental sounds; digital and analog processing; invented instruments; amplified objects; invented instruments; voice, synthesized sounds and traditional instrumentation.

In a few cases my theater sound your credit report Boston projects have bordered on sound installations. In other your credit report Boston situations my approach blurs and merges the conventional distinctions between the roles of DJ, foley sound effects artist, composer, engineer, and instrumentalist. In a few cases I have also been called upon to join the acting cast or dancers even. The tools I use most are ones that so far refuse to become obsolete: a Korg MS-20 analog synthesizer, Oberheim Echoplex Digital Pro, an AM/FM pocket radio, contact microphones, and two or three guitar effects pedals. The Springboard remains my main instrument because it enables me to make a wide variety of compelling sounds and music. The making your credit report Boston of one's own tools for sound-making-as-art seems to be the best way to equip one's self to face the challenges of finding ways to create, and to make innovative sonic art, design and music in a wide variety of your credit report Boston contexts. My theater, radio, film and video projects have been seen and heard in performances and broadcasts throughout North America and Europe, and as far as away from the US as Africa and Australia. Some notable artists and groups I have worked with include South African choreographer Robyn Orlin, the Chicago-based theater companies Plasticene, Prop Theater, and Latino Chicago Theater, NY-based vocal-performance artist Lynn Book, and Chicago e-poet Kurt Heintz, and Canadian sound-radio artist Anna Friz. For a complete list, please your credit report Boston consult my curriculum vitae. Short listening examples of my work are on my composer and performer page. Compositions & Sound Design for Film, Video & Dance Reduccion, film by Stephen Mazurek, Ruffian Pictures, your credit report Boston 2007 Frozen, film by Gretchen Hasse, 2002 Urban your credit report Boston Tribe, film by Jennie Halliday, 2000 Faust, by your credit report Boston Robyn Orlin, music composed with Gert Anklam, performed at the Hebbel Theater, Berlin; Studio du CND, Paris, 2000.

Desire, film by Scott Marshall, 1997 The Polka Dot Lives On, by Robyn Orlin, performed by the Soweto Dance Theatre for the FNB Vita Dance Umbrella, Johannesburg, South Africa, 1995 In a corner the sky surrenders, by Robyn Orlin, performed at Northwestern University, Evanston, and in Australia, England, Belgium, and South Africa, 199496 The explosion of stars is not only reserved for ticketholders, dance performance by Robyn Orlin, Dance Center of Columbia College, Chicago, also in Basel, Switzerland, in Grahamstown, Durban, and Johannesburg, South Africa by the Natal Performing Arts Council (NAPAC) Dance Company, 199295 Untitled live broadcasts, solo and with Neil Jendon, Jason Soliday, Carol Genetti, Yuko Nexus6, and Michael Zerang, on Something Else, WLUW-FM Chicago, and The Expansion Experiment, WNUR-FM Evanston, 20012006 Animism with Carol Genetti for Experimental your credit report Boston Sound Studio's Outer Ear Festival broadcast on your credit report Boston WNUR, WHPK, WLUW, and WZRD, 2000 Untitled live broadcasts with Steve Barsotti, Dan Burke, Fregus Kelly, Tod Sweczyk, Bill Talsma, and Toshi Makihara on Something Else, WLUW-FM Chicago, 19962000 SoundPlay for Sabine and Urban Archeology broadcast on "Internationale Digitale Radio Kunst," curated by Sabine Breitsameter at Sender Freies Berlin, 1995 Untitled live broadcast, Wormwood, WZRD-FM, Chicago, 1994 Beyond the Pale, radio broadcast of Urban Archeology by A.A.R.T., Irish Museum of Modern Art, Dublin, 199394 (See Urban Archeology in Performances, above) Performance, Composition & Sound Design for Theater Until One Falls, directed by Dexter Bullard, created and performed by Plasticene, Center for Performing Arts, Miami University, Oxford, Ohio, 2008 One False Note, Or How To Rob a Bank, directed by Dexter Bullard, created and performed by Plasticene, music your credit report Boston creaated and performed with Dylan Posa and Jason Soliday, The Storefront Theater, Chicago, 2006 Live Feed 11.11.05, directed by Dexter Bullard, created and your credit report Boston performed by Plasticene, National Pastime Theater, 2006 The Perimeter, directed by Sharon Gpfert, created and performed by Plasticene, Viaduct Theater, Chicago, 2004 BlankSlate, directed by Dexter Bullard, created and performed by Plasticene, for the 2nd Annual PAC/edge Festival, Chicago, 2004 The Palmer Raids, directed by Dexter Bullard, created and performed by Plasticene, The National Pastime Theater and PAC/edge Festival, Chicago, and The Ohio Theater, New York 200203 Flight, directed by Dexter Bullard, created and performed by Plasticene, The Museum of Science and Industry, Chicago, 2003 And So I May Return, directed by Dexter Bullard, created and performed by Plasticene, The Viaduct, Chicago, 2002 Head Poison, directed by Dexter Bullard, created and performed by Plasticene, Storefront Theater - Gallery 37 Center for the Arts, Chicago, 2001 Come Like Shadows, directed by Dexter Bullard, created and performed by Plasticene, music with Bill Talsma, Chopin Theatre, 1999 After the Seance, written by Cheryl Tyrkv, directed by Michael Stumm, The Hideout, Chicago, 1999 4X4, by Plasticene, directed by Dexter Bullard, Rhinoceros Theater Festival, Chicago, 1999 VOL.